By Jenna N. Hanchey and Godfried Asante AbstractIn this essay, we examine the figure of Oyin Da in Tade Thompson’s The Wormwood Trilogy to demonstrate how Africanfuturism uses colonial infrastructure—or “the master’s house”—in queer ways to resist neocolonialism and produce decolonial contexts of queer and feminist African life. Drawing on Audre Lorde’s often cited quote,…